Rabu, 25 Maret 2015

[Y412.Ebook] Fee Download Dragon Teeth: A Novel, by Michael Crichton

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Dragon Teeth: A Novel, by Michael Crichton

Michael Crichton, the #1 New York Times bestselling author of Jurassic Park, returns to the world of paleontology in this recently discovered novel—a thrilling adventure set in the Wild West during the golden age of fossil hunting.

The year is 1876. Warring Indian tribes still populate America’s western territories even as lawless gold-rush towns begin to mark the landscape. In much of the country it is still illegal to espouse evolution. Against this backdrop two monomaniacal paleontologists pillage the Wild West, hunting for dinosaur fossils, while surveilling, deceiving and sabotaging each other in a rivalry that will come to be known as the Bone Wars.

Into this treacherous territory plunges the arrogant and entitled William Johnson, a Yale student with more privilege than sense. Determined to survive a summer in the west to win a bet against his arch-rival, William has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition.  But when the paranoid and secretive Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice. William is forced to join forces with Cope and soon stumbles upon a discovery of historic proportions.  With this extraordinary treasure, however, comes exceptional danger, and William’s newfound resilience will be tested in his struggle to protect his cache, which pits him against some of the West’s most notorious characters.

A page-turner that draws on both meticulously researched history and an exuberant imagination, Dragon Teeth is based on the rivalry between real-life paleontologists Cope and Marsh; in William Johnson readers will find an inspiring hero only Michael Crichton could have imagined. Perfectly paced and brilliantly plotted, this enormously winning adventure is destined to become another Crichton classic. 

  • Sales Rank: #2053 in Books
  • Published on: 2017-05-23
  • Released on: 2017-05-23
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.01" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

Review
“Among all Crichton’s novels, it’s one of his best, a beautifully detailed, scientifically engrossing, absolutely riveting story.” (Booklist, starred review)

“A fast-paced page-turner that showcases Crichton’s singular ability to combine action, science, and history into one fantastic story. Fans will be thrilled, while new readers will discover what makes his books so enthralling.” (Library Journal)

“Entertaining.” (Publishers Weekly)

“Crichton is a virtuoso.” (New York Times)

“A master.” (Los Angeles Times)

“A terrific novelist. . . . He could make most readers lose sleep all night and call in sick the next day.” (San Francisco Chronicle)

“Crichton’s books [are] . . . hugely entertaining.” (New York Times Book Review)

“Crichton delivers.”” (USA Today)

About the Author

Michael Crichton (1942—2008) was the author of the groundbreaking novels The Andromeda Strain,  The Great Train Robbery, Jurassic Park, Disclosure, Prey, State of Fear, and Next, among many others. His books have sold more than 200 million copies worldwide, have been translated into thirty-eight languages, and have provided the basis for fifteen feature films. He was the director of Westworld, Coma, The Great Train Robbery and Looker, as well as the creator of ER. Crichton remains the only writer to have a number one book, movie, and TV show in the same year.

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Selasa, 17 Maret 2015

[X162.Ebook] Ebook Charlaine Harris' Grave Sight #2, by Bill Harms Charlaine Harris

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Charlaine Harris' Grave Sight #2, by Bill Harms Charlaine Harris

Acclaimed and NYT Bestselling author Charlaine Harris, the writer of the Sookie Stackhouse series, has joined the Dynamite Entertainment family with the first book of her hit Harper Connelly series, Grave Sight. Charlaine's Sookie Stackhouse novels became the basis for one of today's most successful television shows, the hit HBO series True Blood! Dynamite is extremely proud to present Charlaine Harris' first comic adaptation! This is chapter 2 of the the hit 2011 limited series presented digitally in 6 parts.

  • Sales Rank: #310505 in eBooks
  • Published on: 2014-11-05
  • Released on: 2014-11-05
  • Format: Kindle eBook

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2 of 2 people found the following review helpful.
love it!
By Audrey
I love this. I'm very impatienly waiting for part two of Cemetery Girl. Loving the graphic novels. Much more please.

2 of 2 people found the following review helpful.
Five Stars
By [eresa ?acedo
Excellent series

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Senin, 16 Maret 2015

[J737.Ebook] Free Ebook Kickboxing: From Beginner to Black Belt, by Justyn Billingham

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Kickboxing: From Beginner to Black Belt, by Justyn Billingham

Kickboxing is practiced all over the world and is one of the fastest growing sports today. It is a martial art that can be enjoyed by almost everyone who is physically fit, regardless of age, size, or ability. This detailed book will be of value to all those interested in kickboxing; whether the practitioner simply wants to train for fun or have higher goals, the techniques and drills in this book will be of enormous assistance. Designed to take the student through the various levels of kickboxing training, from the very early stages right through to black belt, this book is an ideal aid for anyone wanting to train in the comfort of their own home or to improve their kickboxing skills in the gym or the dojo. It explains how to warm up correctly to reduce the risk of injury; discusses how to achieve improved flexibility; shows how to develop the box [side] split and front split stretch; considers basic punches and provides the associated training drills; illustrates advanced hand techniques; analyzes basic kicks and the training drills that are involved; examines advanced kicks including static kicks, spinning kicks, jumping kicks, and jumping spinning kicks; and covers sparring drills, conditioning exercises, individual training drills, and partner training drills.

  • Sales Rank: #3203815 in Books
  • Published on: 2008-08-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .51" w x 7.50" l, 1.20 pounds
  • Binding: Paperback
  • 192 pages

About the Author

Justyn Billingham is trained in taekwon-do, karate, and kickboxing and is currently a monthly columnist for Martial Arts Illustrated magazine.

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Minggu, 15 Maret 2015

[H177.Ebook] Download PDF Language, Counter-Memory, Practice: Selected Essays and Interviews

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  • Binding: Paperback

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0 of 0 people found the following review helpful.
A COLLECTION OF ESSAYS & INTERVIEWS ABOUT OTHER WRITERS, LANGUAGE, ETC.
By Steven H Propp
Michel Foucault (1926-1984) was a French philosopher, historian of ideas, and social theorist and activist; he wrote many books, such as Madness and Civilization: A History of Insanity in the Age of Reason, The Birth of the Clinic, Discipline & Punish: The Birth of the Prison, The History of Sexuality, Vol. 1: An Introduction, The History of Sexuality, Vol. 2: The Use of Pleasure, The History of Sexuality, Vol. 3: The Care of the Self, etc. Openly gay [see the James Miller biography, The Passion of Michel Foucault], he died of AIDS---the first “public figure” in France to die of the virus.

[NOTE: page numbers below refer to the 240-page paperback edition.]

The editor wrote in the Preface to this 1977 collection, “This collection arose out of the desire to come to terms with the already considerable accomplishment of Michel Foucault. I had hoped that an examination of his essays on the writers who have influenced him would resolve the difficulties of his books. Not unexpectedly, the essays reveal some continuity of intention and the persistence of certain preoccupations, but hardly the security of an origin… The seven essays that make up the major portion of this book reflect Foucault’s attitudes toward language.”

He wrote in one essay, “If philosophy is now experienced as a multiple desert, it is not because it has lost its proper object or the freshness of its experience, but because it has been suddenly divested of that language which is historically ‘natural’ to it. We do not experience the end of philosophy, but a philosophy which regains its speech and finds itself again only in the marginal region which borders its limits: that is, which finds itself either in a purified metalanguage or in the thickness of words enclosed by their darkness, by their blind truth.” (Pg. 41)

In the essay ‘What is an Author?’ he said, “my objective in ‘The Order of Things’ had been to analyse verbal clusters as discursive layers which fall outside the familiar categories of a book, a work, or an author. But while I considered ‘natural history,’ the ‘analysis of wealth,’ and ‘political economy’ in general terms, I neglected a similar analysis of the author and his works; it is perhaps due to this omission that I employed the names of authors throughout this book in a native and often crude fashion. I spoke of Buffon, Cuvier, Ricardo, and others as well, but failed to realize that I had allowed their names to function ambiguously. This has proved an embarrassment to me in that my oversight has served to raise two pertinent objections. It was argued that I had not properly described Buffon… and that my handling of Marx was pitifully inadequate… it was argued that I had created monstrous families by bringing together names as disparate as Buffon and Linnaeus or by placing Cuvier next to Darwin… [But] I wanted to determine… the functional conditions of specific discursive practices.” (Pg. 113-114)

He continues, “the writing of our day has freed itself from the necessity of ‘expression’; it only refers to itself, yet it is not restricted to the confines of interiority… Moreover, it implies an action that is always testing the limits of its regularity, transgressing and reversing an order that it accepts and manipulates. Writing unfolds like a game that inevitably moves beyond its own rules and finally leaves them behind.” (Pg. 116)

In another essay, ‘Theatrum Philosophicum,’ he observes, “The philosophy of representation---of the original, the first time, resemblance, imitation, faithfulness---is dissolving; and the arrow of the simulacrum released by the Epicureans is headed in our direction. It gives birth---rebirth---to a ‘phantasmaphysics.’” (Pg. 172)

He comments on Gilles Deleuze, “Deleuze’s proposals, I believe, are directed to lifting this triple subjection which, to this day, is imposed on the event: a metaphysics of the incorporeal event (which is consequently irreducible to a physics of the world), a logic of neutral meaning (rather than a phenomenology of signification based on the subject), and a thought of the present infinitive (and not the raising up of the conceptual future in a part essence).” (Pg. 176)

He says in an interview when asked about his book ‘Discipline and Punish’: “I was surprised that so many who had not been to prison could become interested in its problems, surprised that all those who had never heard the discourse of inmates could so easily understand them. How to we explain this? Isn’t it because, in a general way, the penal system is the form in which power is most obviously seen as power? To place someone in prison, to confine him there, to deprive him of food and heat, and prevent him from leaving, from making love, etc.---this is certainly the most frenzied manifestation of power imaginable.” (Pg. 209-210)

These essays shed further light on Foucault’s thought, and contain many interesting observations of his on other writers. This book will be of great interest to anyone studying Foucault.

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Sabtu, 14 Maret 2015

[Q556.Ebook] PDF Download Island, by John Harten

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Fifteen-year-old Jack has been looking forward all year long to a summer of adventure. He’s spending it on an outdoor education course, camping and sailing with his friends Lisa, Pete and Amy. When a storm shipwrecks the four of them on an island that has been off-limits for decades, they will have to use everything they have learned about survival to stay alive, and even that may not be enough. The island is home to a lost city and to dangerous beasts, and it’s not in the world they know. While the group tries to discover the way home, something monstrous is trying to force its way in from a nightmarish reality beyond our own. Jack realizes he must not only fight to survive and escape the island, but to save his own world from destruction.

  • Sales Rank: #368387 in eBooks
  • Published on: 2015-01-01
  • Released on: 2015-01-01
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Five stars! Great adventure with believable characters and what's-going-to-happen-next momentum!
By BenjFranklin
“Deep in the night, Jack awoke to the sound of the bar on the door slowly being removed. He woke Lisa and they stood up, looking about for anything to use as a weapon. The door opened and there was Ben with a fierce grin on his face and a tiny penlight in his hand.”

That’s an example of the expert quality of the writing in this novel. Author John Harten’s “Island” is not your typical marooned-on-a-deserted-island tale. You think things are going one way and they turn out to be going in a completely different direction. That’s what makes for great reading.

In 1994, Pultizer Prize Finalist Thomas Berger (“Little Big Man”) published a modern-day Robinson Crusoe story that he titled “Robert Crews.” That used to be my favorite marooned story … until I picked up “Island.”

“Island” takes you into an intricately constructed world where sometimes things aren’t what they seem to be, and sometimes where things are exactly what they seem to be – which in this book spells insurmountable problems for the band of four (teenage friends Jack, Lisa, Pete and Amy) who find themselves alone and isolated. Well, not completely alone, but I don’t want to write any spoilers.

What stands out about this story is not only the keep-the-pages-turning intrigue, but the artist-quality writing. From the beginning, I felt as if I was on the island along with the friends, and the threats and obstacles and fears and emotions they had to contend with were quite real to me.

I genuinely enjoyed “Island” and look forward to more books from John Harten. This classic adventure is destined to intrigue readers of all ages.
By the way, I read “Island” while on the beach in Avalon, New Jersey. Occasionally I’d look up from the book and out to sea and shudder and think, “No way am I ever going out there again. The sea is so powerful, and who knows where it might take me?”

1 of 1 people found the following review helpful.
Read this book!
By trappehill
I read - no, devoured - half of this book while waiting at the doctor's office, and I have to say that was the first time ever I wished the wait were longer. If you are or have a tween/teen reader, or if you are like me - an adult with a strong fondness for so-called Young Adult fiction - read this book. Great adventure, wonderful characters, lots of intrigue, many laugh-out-loud moments, and a lot to make you think. Plus excellent writing, which means a lot to me. Towards the end of the book I was feeling breathless and at first was disappointed by feeling left hanging, but then decided I would have fun with the chance to make up my own "what next" while hoping that Harten writes a sequel soon! Great read and great fun.

1 of 1 people found the following review helpful.
The world-building touches are like iceburgs in that you may only see small details ...
By greg azon szulgit
Harten delivers a solid adventure story that is about young adults, but one that I would not classify as young adult (YA) fiction. Unlike many books in the YA genre, "Island" is written with adult sensibility and makes for a compelling read. The world-building touches are like iceburgs in that you may only see small details at the surface, but you know that they betray a solid foundation wherein the author must have spent a lot of time thinking about their ramifications. If you are a hound for well-reasoned speculations in your fiction (along side good fiction), then this is a book for you.

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Sabtu, 07 Maret 2015

[K628.Ebook] Download The Complete Everest Trilogy, Books 1-3: The Contest, The Climb, and The Summit (3-Book Set), by Gordon Korman

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The Complete Everest Trilogy, Books 1-3: The Contest, The Climb, and The Summit (3-Book Set), by Gordon Korman

  • Sales Rank: #173532 in Books
  • Published on: 2008
  • Number of items: 1
  • Binding: Paperback

Most helpful customer reviews

3 of 3 people found the following review helpful.
beginning to think Gordan Korman is my favorite author
By twintalk
I prefer young adult books and youth books over that adult trash they call literature anyday. I'm 47 and have really enjoyed this trilogy. My 13 yr. old twins loved it, but we all enjoyed the kidinapped series more. The Island series was great to. If you and/or your children like adventure series where 'kids rule' so-to-speak, you will get your moneys worth.

0 of 0 people found the following review helpful.
Four Stars
By Linda R Moore
Great book thanks

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Jumat, 06 Maret 2015

[Z599.Ebook] PDF Ebook Sprint: How to Solve Big Problems and Test New Ideas in Just Five Days, by Jake Knapp, John Zeratsky, Braden Kowitz

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Sprint: How to Solve Big Problems and Test New Ideas in Just Five Days, by Jake Knapp, John Zeratsky, Braden Kowitz

NEW YORK TIMES BESTSELLER
WALL STREET JOURNAL BESTSELLER

“Sprint offers a transformative formula for testing ideas that works whether you’re at a startup or a large organization. Within five days, you’ll move from idea to prototype to decision, saving you and your team countless hours and countless dollars. A must read for entrepreneurs of all stripes.” —Eric Ries, author of The Lean Startup

From three partners at Google Ventures, a unique five-day process for solving tough problems, proven at more than a hundred companies.

Entrepreneurs and leaders face big questions every day: What’s the most important place to focus your effort, and how do you start? What will your idea look like in real life? How many meetings and discussions does it take before you can be sure you have the right solution?

Now there’s a surefire way to answer these important questions: the sprint. Designer Jake Knapp created the five-day process at Google, where sprints were used on everything from Google Search to Google X. He joined Braden Kowitz and John Zeratsky at Google Ventures, and together they have completed more than a hundred sprints with companies in mobile, e-commerce, healthcare, finance, and more.

A practical guide to answering critical business questions, Sprint is a book for teams of any size, from small startups to Fortune 100s, from teachers to nonprofits. It’s for anyone with a big opportunity, problem, or idea who needs to get answers today.

  • Sales Rank: #1023 in Books
  • Published on: 2016-03-08
  • Released on: 2016-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x 1.00" w x 5.50" l, 1.28 pounds
  • Binding: Hardcover
  • 288 pages

Review
“Every business leader I know worries about the same thing: Are we moving fast enough? The genius of Jake Knapp’s Sprint is its step-by-step breakdown of what it takes to solve big problems and do work that matters with speed and urgency. A sprint is a cure for what ails companies in an ever faster world.”
—Beth Comstock, vice chair of GE

"The key to success, often, is building the right habits. But which habits work best? Sprint offers powerful methods for hatching ideas, solving problems, testing solutions—and finding those small, correct habits that make all the right behaviors fall in place."
– Charles Duhigg, author of The Power of Habit

"To quote one of my colleagues, “don’t get ready, get started”. Through hard won experience Jake Knapp and the team at Google Ventures have refined an efficient, hands-on approach to solving your product, service and experience design challenges. Try the book and try a Sprint."
– Tim Brown, CEO of IDEO and author of Change By Design

"Read this book and do what it says if you want to build better products faster."
– Ev Williams, founder of Medium, Blogger, and Twitter

"Sprint teaches you a novel process for solving really thorny problems in just 5 days. It's full of helpful, entertaining stories that will make it easier for you to succeed. What more, exactly, would you demand from a book? I wish all business books were this useful."
– Dan Heath, co-author of Made to Stick, Switch, and Decisive

About the Author
Jake Knapp created the Google Ventures sprint process and has run more than a hundred sprints with startups such as 23andme, Slack, Nest, and Foundation Medicine. Previously, Jake worked at Google, leading sprints for everything from Gmail to Google X. He is currently among the world’s tallest designers.

John Zeratsky has designed mobile apps, medical reports, and a daily newspaper (among other things). Before joining Google Ventures, he was a design lead at YouTube and an early employee of FeedBurner, which Google acquired in 2007. John writes about design and productivity for Wall Street Journal, Fast Company, and Wired. He studied journalism at the University of Wisconsin.

Braden Kowitz founded the Google Ventures design team in 2009 and pioneered the role of “design partner” at a venture capital firm. He has advised close to two hundred startups on product design, hiring, and team culture. Before joining Google Ventures, Braden led design for several Google products, including Gmail, Google Apps for Business, Google Spreadsheets, and Google Trends.

Excerpt. © Reprinted by permission. All rights reserved.
Sprint 1 Challenge
In 2002, a clarinet player named James Freeman quit his job as a professional musician and founded . . . a coffee cart.

James was obsessed with freshly roasted coffee. In those days in the San Francisco area, it was nearly impossible to find coffee beans with a roast date printed on the bag. So James decided to do it himself. He carefully roasted beans in a potting shed at home, then drove to farmers’ markets in Berkeley and Oakland, California, where he brewed and sold coffee by the cup. His manner was polite and accommodating, and the coffee was delicious.

Soon James and his cart, called Blue Bottle Coffee, developed a following. In 2005, he established a permanent Blue Bottle location in a friend’s San Francisco garage. Over the next few years, as the business grew, he slowly opened more cafés. By 2012, Blue Bottle had locations in San Francisco, Oakland, Manhattan, and Brooklyn. It was a business that many would have considered perfect. The coffee was ranked among the best nationwide. The baristas were friendly and knowledgeable. Even the interior design of the cafés was perfect: wooden shelves, tasteful ceramic tiles, and an understated logo in the perfect shade of sky blue.

But James didn’t consider the business perfect, or complete. He was still just as passionate about coffee and hospitality, and he wanted to bring the Blue Bottle experience to even more coffee lovers. He wanted to open more cafés. He wanted to deliver freshly roasted coffee to people’s homes, even if they didn’t live anywhere near a Blue Bottle location. If that coffee cart had been Sputnik, the next phase would be more like a moon shot.

So in October 2012, Blue Bottle Coffee raised $20 million from a group of Silicon Valley investors, including GV. James had many plans for that money, but one of the most obvious was building a better online store for selling fresh coffee beans. But Blue Bottle wasn’t a tech company and James was no expert at online retail. How could he translate the magic of his cafés to smartphones and laptops?

Several weeks later, on a bright December afternoon, Braden Kowitz and John Zeratsky met up with James. They sat around a counter, drank coffee, and discussed the challenge. The online store was important to the company. It would take time and money to get it right, and it was difficult to know where to start. In other words, it sounded like a perfect candidate for a sprint. James agreed.

They talked about who should be in the sprint. An obvious choice was the programmer who would be responsible for building Blue Bottle’s online store. But James also included Blue Bottle’s chief operating officer, chief finance officer, and communications manager. He included the customer service lead who handled questions and complaints. He even included the company’s executive chairman: Bryan Meehan, a retail expert who started a chain of organic grocery stores in the UK. And, of course, James himself would be in the room.

The online store was essentially a software project—something our team at GV was very familiar with. But this group looked almost nothing like a traditional software team. These were busy people, who would be missing a full week of important work. Would the sprint be worth their time?

•  •  •

On Monday morning of our sprint week, the Blue Bottle team gathered in a conference room at GV’s office in San Francisco. We made a diagram on the whiteboard showing how coffee buyers might move through the online store. The Blue Bottle team targeted a new customer purchasing coffee beans. James wanted to focus the sprint on this scenario because it was so difficult. If they could establish credibility and create a great experience for someone who had never heard of Blue Bottle, let alone visited their cafés or tasted their coffee, then every other situation should be easy by comparison.

We ran into a big question: How should we organize the coffee? The shopper in this scenario would be choosing between a dozen or so varieties of bean, each in a nearly identical bag. And—unlike in Blue Bottle’s cafés—there would be no barista there to help choose.

At first, the answer seemed obvious. From boutique coffee roasters to mainstream giants like Starbucks, retailers tend to organize coffee by the geographic region where it was grown. Africa, Latin America, the Pacific. Honduran coffee vs. Ethiopian coffee. It would be logical for Blue Bottle to categorize their beans the same way.

“I have to admit something,” Braden announced. Everyone turned. “I’m into coffee, okay? I have a scale at home and everything.” Electronic scales are the hallmark of a true coffee freak. Owning a scale meant Braden weighed the water and coffee beans so that he could experiment and adjust ratios as he brewed. We’re talking science here. Coffee scales are accurate to a fraction of a gram.

Braden smiled and held his hands palm up. “I don’t know what the regions mean.” There was silence. We avoided looking at James. After all, Braden’s brave admission might be seen as heresy.

“That’s okay,” said James. The floodgate opened. John and Jake didn’t know the difference between coffee regions, and neither did Daniel Burka. We drank coffee together constantly, but none of us had ever admitted to our lack of sophistication.

Then Serah Giarusso, Blue Bottle’s customer service lead, snapped her fingers. “What do we do in the cafés?” she asked. After all, she went on, The Braden Situation must happen to baristas all the time: a customer comes in for coffee beans, but isn’t sure which kind to buy.

James is a slow and thoughtful speaker. He paused for a moment before he answered. “The brew method is very important,” he said. “So we train the baristas to ask the customer a simple question: ‘How do you make coffee at home?’ ” James explained that, depending on whether the customer used a Chemex, or a French press, or a Mr. Coffee, or whatever, the baristas could recommend a bean to match.

“ ‘How do you make coffee at home . . . ?’ ” Braden repeated. Everyone jotted notes. James had started the sprint by explaining his vision: that the online store should match the hospitality of the cafés. It felt as if we were onto something.

The team spent the following day sketching ideas for the store. On Wednesday morning we had fifteen different solutions. That’s too many to test with customers, so the team voted on their favorites as a way to narrow it down. Then James, the decision-maker, made the final pick of three sketches to test.

The first sketch showed a literal approach to making the website match the cafés: It looked like the inside of a Blue Bottle café, complete with wooden shelves. The second sketch included lots of text, to mirror the conversations baristas often have with customers. Finally, James chose a third sketch that organized coffee by brew method, bringing the “How do you make coffee at home?” question right onto the computer screen.

James had chosen three competing ideas. So which one should we prototype and test? The idea of a website that looked like the café was the most appealing. Blue Bottle’s aesthetic is celebrated, and a matching website would look different from anything else in the market. We had to try that idea, and it wasn’t compatible with the other solutions. But those other solutions were also really intriguing. We couldn’t quite decide.

So we decided to prototype all three. After all, we didn’t need a functioning website. To appear real in our test, each fake online store only required a few key screens. Working together with the Blue Bottle team, we used Keynote presentation software to make a series of slides that looked like three real websites. With a little ingenuity, and without any computer programming at all, we stitched those screens into a prototype that our test customers could use.

On Friday, the team watched the customer interviews. One at a time, coffee drinkers shopped on several websites, with Blue Bottle’s three prototypes slipped in among the competitors. (To avoid tipping off the customers, we gave each prototype a fake name.)

Patterns emerged. The store with wooden shelves, which everyone had such high hopes for? We thought the prototype was beautiful, but customers said it was “cheesy” and “not trustworthy.” But the other two prototypes fared far better. The “How do you make coffee at home?” design worked seamlessly. And the “lots of text” design shocked us: People actually read all those words, and the extra information brought Blue Bottle’s voice and expertise to life. As one customer said, “These guys know coffee.”

James and the Blue Bottle team built confidence with their sprint. They were much closer to defining how their online store would work. What’s more, they’d done it in a way that felt true to their principles of hospitality. They believed the online store could be an authentic Blue Bottle experience.

A few months later, Blue Bottle launched their new website, and their online sales growth doubled. The next year, they acquired a coffee subscription company. With a bigger team and new technology, they expanded the web store and began experimenting with new offerings. They knew it would take years to get the online store right—but in the sprint, they started on their path.
The bigger the challenge, the better the sprint
If you’re starting a project that will take months or years—like Blue Bottle and their new online store—a sprint makes an excellent kickoff. But sprints aren’t only for long-term projects. Here are three challenging situations where sprints can help:

High Stakes

Like Blue Bottle Coffee, you’re facing a big problem and the solution will require a lot of time and money. It’s as if you’re the captain of a ship. A sprint is your chance to check the navigation charts and steer in the right direction before going full steam ahead.

Not Enough Time

You’re up against a deadline, like Savioke rushing to get their robot ready for the hotel pilot. You need good solutions, fast. As the name suggests, a sprint is built for speed.

Just Plain Stuck

Some important projects are hard to start. Others lose momentum along the way. In these situations, a sprint can be a booster rocket: a fresh approach to problem solving that helps you escape gravity’s clutches.

When we talk to startups about sprints, we encourage them to go after their most important problem. Running a sprint requires a lot of energy and focus. Don’t go for the small win, or the nice-to-have project, because people won’t bring their best efforts. They probably won’t even clear their schedules in the first place.

So how big is too big? Sure, sprints work great for websites and other software challenges. But what about really large, complicated problems?

Not long ago, Jake visited his friend David Lowe, a vice president of a company called Graco that manufactures pumps and sprayers. Graco is not a small startup. They’re a multinational company who have been in business for more than ninety years.

The company was developing a new kind of industrial pump—a machine used in assembly lines. David, the VP, wondered if a sprint might help lower the risk of the project. After all, it would take eighteen months and millions of dollars to design and manufacture the new pump. How could he be sure they were on the right track?

Jake doesn’t know anything about industrial assembly lines, but out of curiosity, he joined a meeting with the engineering team. “I’ll be honest,” Jake said. “An industrial pump sounds too complicated to prototype and test in a week.”

But the team wouldn’t give up so easily. If limited to just five days, they could prototype a brochure for the pump’s new features and try it in sales visits. That kind of test could answer questions about marketability.

But what about the pump itself? The engineers had ideas for that, too. To test ease-of-use, they could 3D print new nozzles and attach them to existing pumps. To test installation, they could bring cables and hoses to nearby manufacturing plants and get reactions from assembly line workers. These tests wouldn’t be perfect. But they would answer big questions, before the pump even existed.

Jake was wrong. The industrial pump wasn’t too complicated for a sprint. The team of engineers accepted the five-day constraint and used their domain expertise to think creatively. They sliced the challenge into important questions, and shortcuts started to appear.

The lesson? No problem is too large for a sprint. Yes, this statement sounds absurd, but there are two big reasons why it’s true. First, the sprint forces your team to focus on the most pressing questions. Second, the sprint allows you to learn from just the surface of a finished product. Blue Bottle could use a slide show to prototype the surface of a website—before they built the software and inventory processes to make it really work. Graco could use a brochure to prototype the surface of a sales conversation—before they engineered and built the product they were selling.
Solve the surface first
The surface is important. It’s where your product or service meets customers. Human beings are complex and fickle, so it’s impossible to predict how they’ll react to a brand-new solution. When our new ideas fail, it’s usually because we were overconfident about how well customers would understand and how much they would care.

Get that surface right, and you can work backward to figure out the underlying systems or technology. Focusing on the surface allows you to move fast and answer big questions before you commit to execution, which is why any challenge, no matter how large, can benefit from a sprint.

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49 of 50 people found the following review helpful.
A masterpiece. This is the new ’START HERE’ book I recommend to all my design students as well as CEOs I work with.
By Xander Pollock
Jake, John, and Braden have synthesized the most important design-thinking concepts of today into a book that is worth its weight in gold. Seriously — I’ve translated the ideas and checklists in this book to tens of thousands of dollars already as a design consultant.

It’s weird... even after 4 years of studying Art & Design in college and 4 years of working at a big tech company, this book was STILL a revelation to me. It helped me understand and practice design in a whole new way. I was lucky to be mentored by top-tier designers. Now you can be mentored by some of the best designers in the Silicon Valley. Listen in on how they work and think...

90% of what you need to know about designing great products is in these 257 glorious pages. The other 10% is just blood, sweat and tears.

38 of 39 people found the following review helpful.
A great guide for making rapid progress without guessing
By Graham Henshaw
If you like placing big bets on untested guesses then this book might not be for you - save your money and buy a Powerball ticket. However, if you'd prefer to launch something new into the world with a bit more knowledge about how customers might respond, then I highly recommend Sprint.

There's a lot to like about the book, but I'll start with the tone. It suits the methodology perfectly - it's energetic, it doesn't seem to take itself too seriously, and it is direct. It's a refreshing read and has the effect of making you want to try the process right away.

From a format perspective, the book is primarily laid out according to the five days of a sprint which further helps with its applicability. The five main sections of the book cover each of the five days of a sprint with practical tips, lessons, and real world examples embedded throughout.

The content will feel familiar to those versed in design thinking...but entirely accessible to those who are not. Much of what is contained in the book will strike you as a very sensible approach; however, in practice you often see the exact opposite applied and groupthink and inaction typically reign. And that's where the book shines. It really gives you a roadmap for applying this process, that once underway and properly facilitated, will feel like it's the method you should use to navigate those really tricky business challenges. Sprint reveals a simple but profoundly powerful approach to making progress and determining next steps without guessing.

30 of 30 people found the following review helpful.
Great book just not on KINDLE!
By Mr. T. C. Jones
The book content is great and the process methods and practice are well defined for any UX professional to pick up and be effective with out of the box. Four stars because the Kindle version is dreadful, don't buy it terrible image formatting of tiny indistinguishable blobs. The Kindle typography is also borderline. Buy paper you will thank me.

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Rabu, 04 Maret 2015

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Strunk's Source Readings in Music History: The Twentieth Century (Revised Edition) (Vol. 7) (Source Readings Vol. 7), by Robert P. Morgan



Strunk's Source Readings in Music History: The Twentieth Century (Revised Edition)  (Vol. 7) (Source Readings Vol. 7), by Robert P. Morgan

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Strunk's Source Readings in Music History: The Twentieth Century (Revised Edition)  (Vol. 7) (Source Readings Vol. 7), by Robert P. Morgan

This book began as an attempt to carry out a suggestion made in 1929 by Carl Engel in his "Views and Reviews"-to fulfill his wish for " a living record of musical personalities, events, conditions, tastes ...a history of music faithfully and entirely carved from contemporary accounts.

Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something "new," writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco.

  • Sales Rank: #478986 in Books
  • Published on: 1997-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .70" w x 6.10" l, .83 pounds
  • Binding: Paperback
  • 264 pages

About the Author
Leo Treitler, Distinguished Professor of Music at the City University of New York, is the author of Music and the Historical Imagination, as well as other books and articles on music historiography and medieval music.

Robert P. Morgan, historian, composer, and theorist, received his Ph.D. from Princeton University and is currently on the music faculty at Yale University.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Definitive Collection
By J. Matson
Like the previous 6 volumes in this series, vol. 7 is the definitive collection of musical essays from this time period. Deciding what to include in this volume must have been a very difficult task since there is so much more material available from the 20th century than from previous time periods; and since the editors produced this volume so chronologically near the 20th century, it is impossible to know which readings will "stand the test of time." Yet Robert Morgan has done an outstanding job editing this volume (and Leo Treitler as general editor) to include a wide range of relavent materials. This is an excellent resouce for anyone who wants to learn more (or teach) about music in the 20th century. Don't try to read it front to back. Instead, read whichever essays look most interesting to you first, and save the rest until they become those that look the most interesting.

0 of 0 people found the following review helpful.
Interesting and enlightening
By Hill_s_s
This book is proving to be an invaluable resource for discussions about 20th century music. It is interesting (of oftentimes amusing) to read about how people were reacting to various trends happening at the time. Definitely a must if you are studying 20th century music/music history!

0 of 0 people found the following review helpful.
Excellent Reading
By Bryan Noggy
All of the Strunk's Source Readings series are terrific, and this one is no exception! Well written musings from the 20th centurie's most outspoken musicologists

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