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Tupac Amaru Shakur (1971-1996) was an American rap artist, actor, and social activist. More than seventy-five million of his albums have sold worldwide, making him one of the bestselling music artists in the world. Rolling Stone magazine named him the 86th Greatest Artist of All Time.
Shakur also gained notoriety for his conflicts with the law and time spent in prison.
Most of Tupac's songs are about growing up amid violence and hardship in ghettos, racism, other social problems, and conflicts with other rappers during the East Coast-West Coast hip-hop rivalry.
In September 1996, after attending a boxing match in Las Vegas, Shakur was shot four times and died several days later.
Shakur's double album, All Eyez on Me, is one of the highest-selling rap albums of all time, with more than five million copies of the album sold in the United States alone. A Vibe magazine poll in 2004 rated Shakur ''the greatest rapper of all time'' as voted by fans. In 2010, he was inducted to the Library of Congress' National Recording Registry.
More than a decade after his murder, Tupac Shakur is even more loved, contested, and celebrated than he was in life. His posthumously released albums, poetry, and motion pictures have catapulted him into the upper echelon of American cultural icons. In Holler If You Hear Me, ''hip-hop intellectual'' Michael Eric Dyson, acclaimed author of the bestselling Is Bill Cosby Right?, offers a wholly original way of looking at Tupac that will thrill those who already love the artist and enlighten those who want to understand him.
- Sales Rank: #5250079 in Books
- Published on: 2011-07-01
- Formats: Audiobook, Unabridged
- Original language: English
- Number of items: 8
- Dimensions: 5.70" h x 1.20" w x 5.20" l, .55 pounds
- Running time: 34200 seconds
- Binding: Audio CD
From Publishers Weekly
A poor, urban, high school dropout and book-devouring autodidact who'd quote Shakespeare in conversation, Shakur would also sing along to Sarah McLachlan. Dyson (I May Not Get There with You: The True Martin Luther King, Jr.), a Baptist minister, reveals the complexity of Shakur and shows why even five years after his death his records, poetry and films continue to sell. "He was not hip-hop's most gifted emcee. Still, Shakur may be the most influential and compelling rapper of them all," writes Dyson. "He was more than the sum of his artistic parts." Complementing Dyson's articulate perspectives on the short life and extraordinary impact of the icon are his emotive interviews with writer Toni Morrison, actress Jada Pinkett Smith (Shakur proposed to her, but was turned down), rapper Mos Def and more than a dozen others. Most striking are the conversations about and with Shakur's beloved mother, a former Black Panther and ex-crack addict. Dyson uses themes in Shakur's raps to examine the larger ills of hip-hop culture such as misogyny and the new hostility between youths and elders without neglecting the rapper's positive acts and intentions. Shakur wanted to "combat the anti-intellectualism of hip-hop," Dyson persuasively writes. (Sept.)Forecast: This book will sell, for Shakur has a huge fan base that has only grown since his death. But more than a music bio, the book will draw the attention of socially conscious readers who are interested in how hip-hop affects society.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Ordained Baptist minister and DePaul University professor Dyson (Between God and Gangsta Rap, LJ 1/96) here analyzes the life of rapper/actor Tupac Amaru Shakur (1971-96) as a microcosm of black American life and culture. Placing gangsta rap in social and historical context, he thoroughly and thoughtfully considers its key elements as evidenced by Shakur's music and videos, exploring issues like machismo, the simultaneous contempt for and adoration of black women, and black-on-black violence. (Shakur himself was shot to death in a still-unsolved murder.) Dyson discusses these sensitive, controversial subjects with such noted cultural analysts as Khephra Burns and Stanley Crouch, creditably balancing the opinions of rap's supporters, rap's critics, and rappers themselves. Though marred by a few minor errors, this well-written, intelligent, and energetically investigative work will make a valuable addition to academic libraries. The extremely high level of writing renders it unsuitable for fan-oriented biography collections, for which Tupac Amaru Shakur, 1971-1996 (Three Rivers, 1998) is more appropriate. Bill Piekarski, formerly with Villa Maria Coll. of Buffalo, Cheektowaga, NY
Copyright 2001 Reed Business Information, Inc.
From The New Yorker
Ever since the rapper Tupac Shakur was shot to death, in 1996, he not only has been kept in the public eye by numerous posthumous releases but has become, for many young African-Americans, a full-fledged martyr. Dyson's book, a mixture of biography and polemic, examines Tupac both culturally and spiritually through a loosely organized series of meditations that begin in Tupac's childhood (his mother, Afeni, was a Black Panther who later fought a vicious addiction to crack cocaine) and move through his manhood (as a young student, Tupac read voraciously, from Aldous Huxley to Teilhard de Chardin). Occasionally, Dyson's claims for Tupac are a bit grand, but his eclectic reportage—he interviews a wide range of people, some famous, some not—paints a nuanced picture of his subject while illuminating the effect hip-hop has had on America.
Copyright © 2005 The New Yorker
Most helpful customer reviews
1 of 1 people found the following review helpful.
Excellent scholarship, but the writing leaves something to be desired
By A. Barnett
This is an excellent book. As other reviewers have noted, this is not exactly a biography. Rather, Dyson uses Tupac's life as a prism through which to examine black culture, racism, and society as a whole. He does this very effectively, and the arguments that he pursues are nuanced and broadly convincing.
As a result, I would strongly recommend this book to someone who does not love rap music. Regardless how you feel about the music, it cannot be reasonably denied, as this book makes clear, that Tupac's was an incredibly important figure in this era of history, and that he brightly reflected a society that contributed quite a bit to who he became, for better and worse. Anyone who is interested in race politics and how they impact America should read this book. And in my opinion, anyone who is not interested in that, should be.
With that said, I personally did not find the writing style very good. The prose is very ornate, overwhelmingly so at times, and sometimes excellent points are partially obscured behind too many words. Many of the best points in this book could have been made much more clearly in that respect. at a slightly higher level, sections of this book seem to meander a bit. This has, I think, something to do with the dual nature of the book, as both biography and sociological treatise. There are times when it vacillates between the two a little confusingly, or can't decide which role it is in for a few pages. But overall, the excellent arguments and sociological exploration of the book do get delivered, and they are easily worth the distractions.
0 of 0 people found the following review helpful.
What can I say, it opened my eyes to ...
By Aaron Huff
What can I say, it opened my eyes to a lot of things in the history of Hip hop and how it is so related to the triumphs and miseries of that time. But its more about the tale a man born in the tornado and never able to leave it. Truly a Genius's story told as only at the artfully scholarly Micheal Eric Dyson can tell. A must read.
0 of 0 people found the following review helpful.
The unknown world of Tupac
By Dr. Wilson Triviño
Scholar Michael Eric Dyson seeks to discover this man of mystery that still alludes us today, Tupac Shakur.
What he discovers is the underpinning world of the black man in today's fast pace society.
This book ,Holler if You Hear Me: Searching for Tupac Shakur is more than a biography on Tupac it explores the legacy of his work, the women in his life, the folio of his music, the lyrics of this gangster with a thug life.
Tupac is also the only black that has become a cultural icon in the same mode of Marilyn Monroe and James Dean, we will always have a young memory of him.
Delving into the style that makes Dyson's work so engaging he mixes his scholarly, preacher, and man from the hood lens to explore the depth of this man that was lost way to young.
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